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Bark: Stories, by Lorrie Moore
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A New York Times Notable Book
A Washington Post Notable Book
A Best Book of the Year: San Francisco Chronicle, NPR, Financial Times, St. Louis Post-Dispatch, BookPage
“Heartbreaking. . . . Mordantly funny. . . . Takes us on a rare flight of self-transcendence. . . . Moments of recognition bring jolts like electric shocks.” —The New York Review of Books
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“Wonderful. . . . Masterful. . . . Profound. . . . Not a single false note.” —USA Today
“[Moore] deftly paints with negative space, releasing tremendous poignancy. . . . A vibrant and nimble display of Moore’s signature wit.” —San Francisco Chronicle
“Ms Moore’s writing glides. She describes the mundane with precision and grace. . . .�Bark simultaneously honours and regrets the messiness of human relationships. Ms Moore is like one of her characters: ‘sternness in one eye and gentleness in the other.’” —The Economist
“One of the finest short story writers in the country.” —Los Angeles Review of Books
“[Moore’s] writing contains multitudes, mixed in exacting proportions, which is to say: this potpourri is utterly and totally unique. . . . There really is no one quite like her.” —The New Republic
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“Lorrie Moore still dazzles. . . . These powerfully, almost savagely, human stories shine with a spirit of playfulness and the logic of love.” —O, The Oprah Magazine
- Sales Rank: #276495 in Books
- Published on: 2014-10-28
- Released on: 2014-10-28
- Original language: English
- Number of items: 1
- Dimensions: 7.99" h x .59" w x 5.19" l, .81 pounds
- Binding: Paperback
- 192 pages
Amazon.com Review
An Amazon Best Book of the Month, March 2014: Here’s a reason Lorrie Moore is so beloved by her baby boomer brethren: she’s smart, she’s funny, her eye is even sharper than her tongue. In Bark, her latest collection of stories, all those qualities are well on display. “He had never been involved with the mentally ill before,” she writes of her mid-life anti-hero in the (sort-of) title story, "Debarking." "[B]ut he now felt more than ever that there should be strong international laws against them being too good looking.” Acerbic? Check. Knowing? Check. Says out loud on the page what we less talented, less observant mere mortals wish we could form so well in thought? Check. Check. Check. The only reason not to read these seven stories is that, perhaps, they’re just too accurate and perceptive about the way we live now--but then, why would you ever want to read stories that were anything else? --Sara Nelson
From Booklist
*Starred Review* Moore’s first collection of short stories, the uncommonly perceptive and energetically articulate Birds of America (1998), established her prominent place in the renaissance of the American short story that made itself heard with great innovation in the 1980s and 1990s. Since then, she has alternated between story collections and novels, and now a new compilation of stories will add support to the widely held opinion that the short form is her true forte. Her talent is best exhibited in the collection’s longest stories (each around 40 pages); her comfort with that length is indicated by her careful avoidance of overplotting, which, of course, dulls the effect of an expansive short story, and by not allowing the stories to seem like the outlines of novels that never got developed. These two examples of her proficiency shine: “Debarking” is about a divorced man who enters the dating scene only to experience complications with the is-she-crazy woman he starts dating and also within himself, as intimacy seems the natural antidote to “global craziness”; “Wings” concerns husband-and-wife musicians whose dreams haven’t panned out. A major ingredient of Moore’s tales of troubled lives is an abiding humor, which serves to protect her characters, in all their frailties, from grating on the reader as too pathetic. HIGH-DEMAND BACKSTORY: An extensive author tour will attract many Moore enthusiasts and generate both publicity and sales. --Brad Hooper
Review
A Frank O’Connor International Short Story Prize Finalist
“Uncanny. . . . Moving. . . . A powerful collection.” —The Washington Post
“Moore’s one of the country’s most admired writers. . . . [Bark] shows off a true advance of Moore’s powers and offers some first-rate reading pleasure.” —NPR
“[Bark is] a book to which people will refer back to understand life as we lived it in the past ten years.” —Salon
“Her stories, her stories, are perfect.” —Slate
“Here is why one reads Moore: the terse, true polish of her emotional wisdom.” —The Boston Globe
“Probably no writer since Nabokov has been as language-obsessed as Moore. . . . [Bark] lets us contemplate and savor just what makes her work unique.” —The New York Times Book Review (cover)
“Irresistible.” —Minneapolis Star Tribune
“100% brilliant, as usual. . . . Moore has come to enjoy the unusual distinction of being just about the darkest light writer around. Unhappiness, heartbreak, illness, grief, disappointment—who’d have thought they could be so much fun?” —Geoff Dyer, The Observer (London)
“Extraordinary. . . . Moore’s construction of a sentence, a paragraph, a page, is rarely less than exhilarating. . . . There is a moral nobility to Moore’s assertion that even the least brilliant of lives deserve to be brilliantly documented. . . . Moore does not make us feel better; she hurts us. But she hurts us in vital, generous ways, and it is testament to the brilliance of her writing that we let her.” —The Times Literary Supplement�(London)
“If you adore Lorrie Moore, as so many of us do, you’ll find much to enjoy in her new collection. . . . All the sparkly balls are in play—puns, politics, pop culture details, sometimes all at once.” —Newsday
“If you had to criticize one thing about Lorrie Moore—and I don’t know why you would, because she’s awesome—it might be that her humor and her world-weary sense of the absurd are almost too distinctive. . . . But I don’t have the heart to really complain about any of this: I’ve been addicted to Moore’s voice for a long time now and want more, not less, of it.” —Entertainment Weekly
“Laugh-out-loud funny. . . .�Reading the stories one after another is a reminder of her uncanny ability to sum up, in a sentence or two, the truths that might take a lifetime to grasp.” —Houston Chronicle
“Lorrie Moore’s writing is strange and wonderful. It should be among anyone’s top reasons for being alive.” —PopMatters
“A vital work of literature.” —Electric Literature
Most helpful customer reviews
42 of 45 people found the following review helpful.
I really wanted to love this collection
By G. Dawson
I'm a fan of short story collections, and I read a lot of them. I was excited to hear that Lorrie Moore had a new collection out, and I was looking forward to loving this book. Unfortunately, I found many of the stories to be disjointed and difficult to connect with on an emotional level. I can appreciate Moore's writing, which is clearly expert, but too many of these stories lack heart, and they seem filled with unnatural dialog. The two longest stories--Debarking and Wings--are the best in the collection, in my opinion, because they are long enough to make the characters seem human and alive. The shorter stories generally lack direction and purpose. If you're interested in short stories, I recommend you try George Saunder's Tenth of December or Alice Munro's Dear Life instead.
28 of 32 people found the following review helpful.
Maybe not Moore's best, but still wonderful
By P. Mann
I love short stories but am never entirely sure how to review books of them. Giving the plot or a brief summary for each story seems kind of pointless and often redundant given that that information is usually available on the site anyway. In this case, I've decided instead to respond to some of the points others have made in their reviews.
Some have noted that some of the stories seem dated. Yes, they do. It's a fair point. Stories of the Democratic convention of 2008 or the war in Iraq may eventually pale, but I think they're still fresh enough not to seem hopelessly antiquated.
It's been noted that the book is short. Yes, and I wish it were longer. But I don't know that it's fair to knock a book for its length if the quality is there. I believe it is here.
The endings have been faulted here. I have to confess that I don't really understand this complaint. One of the many beauties of the short story is the diversity of endings. Sometimes, short stories wrap everything up with a nice bow. Other times, they simply end. And there are a variety of possibilities in between. I did not have a problem with the endings.
Some have said that these stories don't represent Moore at her best. Agreed. But even Moore at less than her best is wonderful to read. Indeed, her stories always (including here) seem welcoming. As someone else put it, and I second the point, Moore is a master at drawing you in, at giving you a full character in a paragraph. A student of the craft of short story writing would do well to study these, and those who simply enjoy reading should be rewarded.
Finally, my favorite of the lot is "Foes," in significant part because the distance between the events in the story (Barack Obama's election) are sufficiently distant to allow a more objective reading experience, meaning that whatever emotions I may have, one way or the other, about that election did not interfere with my enjoyment of the story.
I know this is a nontraditional review, but I really do have trouble writing reviews of collections. So perhaps I'll end with this point: I really enjoyed this collection, and, though some stories were clearly better (for me) than others, I did not find a clunker in the lot.
8 of 8 people found the following review helpful.
At Times the Stories Are Cheever-Like
By M. JEFFREY MCMAHON
Full disclosure: I've been a fan of Lorrie Moore's short stories since the early 1990s, find her sardonic humor and wit are part of her appeal; the other part is that she has the rare talent to pack enough thematic and psychological complexity in a short story that I would typically expect in a novel (I'm thinking of her masterpiece "Real Estate" from her earlier collection Birds of America).
Like most collections, Bark has some hits and misses so I find it absurd to tack off stars if a few stories don't rise to the level of excellence that I expect from a master like Moore. And also it is true, as other reviewers have written, that some of the stories feel over a decade old.
But having said that there are enough highlights in this book to make it compelling reading and worthy of recommending. My very favorite story, the first one, "Debarking," is about a romance between a sympathetic, nebbish, neurotic divorcee Ira and Zora who has a mind-baffling, at times ambiguous, at times disturbing relationship with her teenage son that is so unsavory on so many levels that it impedes Zora's ability to carry on a real relationship with Ira or any man. It's hard to know how pathological Zora's connection is with her son but we are left with layers of ambiguity to sift through in a 37-page story that had me wanting for more, perhaps a 150-page novella.
Other stories with similar power are "Wings," about a stagnant couple who haven't grown beyond their years of playing "rock stars," and the final story, suggestive of her vintage works, the collection's funniest tale, "Thank You for Having Me," which takes place at a country wedding in which the musician is the ex husband of the bride.
Getting a collection in which I like a little more than half the stories which are better than most collections out there compels me to give this book a very high recommendation.
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